
Editor's Letter
Welcome to The Art Journal.
Tom Seymour23 April, 2026
Market

Trust, After the Photograph
Simon Bainbridge

Making Room for Milton Avery
Matthew Holman
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What Can the Art World Expect from the Mamdani Era?
Rachel Kubrick
Opinion

Private Views: Champagne Socialism at the Whitney Art Party
Gabriella Angeleti

Was Martin Parr Just Taking the Piss?
Simon Bainbridge
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AIDS Is Not Over. Why Does Its Art Feel So Historical?
Millen Brown-Ewens
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News

A Ming painting donated to Nanjing Museum resurfaces at auction, prompting investigation
Authorities launch inquiries after a scroll given to the museum in 1959 appears on the market with an eight-figure estimate
Tom Seymour
Ukraine pavilion to spotlight evacuated sculpture at Venice Biennale
Zhanna Kadyrova’s suspended concrete deer will anchor exhibition examining failed guarantees and wartime displacement
Tom Seymour

AlUla Contemporary Art Museum plans advance with Pompidou partnership as cultural strategy draws scrutiny
Tom Seymour

Stephen Friedman Gallery enters administration and closes London space after 30 years
The Mayfair dealer has appointed administrators and ceased operations, with staff laid off, financial pressures disclosed and fair plans reassigned
Tom Seymour
Features
Gibellina and the Limits of Art-Led Regeneration
Stephanie Gavan
Do only women get to suffer in public?
Across contemporary art, depictions of cancer are strikingly gendered. Why, in an age of self-disclosure, does male suffering still struggle to be seen?
Ella Lewis-Williams

After Nuremberg
Hili Perlson

The Wii Effect: How Gaming Rewired the Art of Performance
Christopher Webb
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